This wide-ranging "Companion" presents a necessary evaluation of contemporary chinese language literature in several geopolitical parts, from the 1840s to now. It stories significant accomplishments of chinese language literary scholarship released in chinese language and English and brings cognizance to formerly overlooked, very important parts. bargains the main thorough and concise insurance of contemporary chinese language literature up to now, drawing recognition to formerly overlooked parts resembling overdue Qing, Sinophone, and ethnic minority literature a number of chapters discover literature when it comes to Sinophone geopolitics, neighborhood tradition, city tradition, visible tradition, print media, and new media The creation and chapters provide overviews of the institutional improvement of contemporary chinese language literature in chinese language and English scholarship because the mid-twentieth century Contributions from prime literary students in mainland China and Hong Kong upload their voices to foreign scholarship.
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Additional resources for A Companion to Modern Chinese Literature
1961. A History of Modern Chinese Fiction, 1917–1957. New Haven, CT: Yale University Press. Hsia, C. T. 1963. 4–5: 428–474. Hsia, C. T. 1968. The Classic Chinese Novel: A Critical Introduction. New York: Columbia University Press. Hsia, C. T. 1971. A History of Modern Chinese Fiction. Second edition. New Haven, CT: Yale University Press. Hsia, C. T. 夏志清. 1979. Zhongguo xiandai xiaoshuo shi 中國現代小說史 (A history of modern Chinese fiction). Trans. Joseph S. M. Lau et al. Hong Kong: Union Press. Hsia, C.
Three critical exchanges are related to the 1993 Modern China debate. First, in his response to Liu Kang’s pre disposition for politicization, Zhang Longxi discusses a prior polemic triggered by Stephen Owen’s dismissal of Bei Dao’s poems as belonging to a derivative kind of world poetry, which appears to the Western audience as “translations of a poetry that originally grew out of reading translations of our own poetic heritage” (1990: 29). In her rejoinder, Michelle Yeh questions Owen’s rigid conceptualization of China and the West “as mutually exclusive” and his own anxiety—both “the anxiety of difference (between tradition and modernity)” and “the anxiety of the dissolution of difference (between China and the world)” (M.
Hsia, C. T. 1968. The Classic Chinese Novel: A Critical Introduction. New York: Columbia University Press. Hsia, C. T. 1971. A History of Modern Chinese Fiction. Second edition. New Haven, CT: Yale University Press. Hsia, C. T. 夏志清. 1979. Zhongguo xiandai xiaoshuo shi 中國現代小說史 (A history of modern Chinese fiction). Trans. Joseph S. M. Lau et al. Hong Kong: Union Press. Hsia, C. T. 1999. A History of Modern Chinese Fiction. Third edition. Bloomington: Indiana University Press. 30 Yingjin Zhang Hsia, C.