By John Beardsworth
Electronic photographers can now reach the iconic great thing about black-and-white images of their personal paintings! There’s extra to monochrome than simply discarding the colour in Photoshop, yet many books easily deal with it as an afterthought. no longer this one! John Beardsworth teaches each significant approach to creating a colour photograph black and white, and explains what sort of photographs are most sensible, and why. either formidable rookies and complex fans will how one can in achieving the richest tonal intensity and stability, use black and white to interpret the topic for the viewer, reproduce ancient and darkroom techniques, upload inventive and lighting tricks, and convey exhibition-quality prints.
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Additional resources for Advanced Digital Black & White Photography (A Lark Photography Book)
Because the output is a Smart Object, the raw conversion remains editable. Below: The onginal color image presents a a great deal of raw data which it is wise to preserve during conversion. 0 l . )[jJliJ HSL 1 Grayscale _ l. 80s ISO 200 mm � ----c II � The fifth tab, Split Toning, lets you add color during the raw conversion stage. Start by moving the two Saturation sliders to the right, and then drag one or both of the Hue sliders. In Adobe Camera Raw 4, tick the Activate the HSL/Grayscale tab, Convert to Grayscale check box.
Its highlight detail is great, but the standing stones are in deepest shadow. REGROUPING Another post processing workaround is to make two differing conversions of the RAW file, and sandwich them together. Left: It is often not an option Alternatively, Adobe Camera to lift the brightness of Raw and other RAW converters shadows in an image that now have sliders for "fill light" was underexposed to protect which can detect shadow areas highlights-the digital noise and lift their brightness and can be horrendous.
That might sound idental to work from other source images. If, acrosss a number of images, it can desaturation, but instead of removing all for example, you've found an image be repurposed for an unusual the color a duotone-like effect is with color tones that you like, then destructive monchrome conversion. created, using the image's predominant simply select it and perform the same There are two ways the tool can be color to create the tone. The result is reduction of the Color Intensity setting.